Continuing my read-through of the Cinematic Starter Kit. Chapter four starts with some definitions. We learn that maps are divided into zones, and that zones are flexibly defined, “from a few steps across to 25 meters”, essentially, unless a room is huge, it’s one zone. Time is measured in Rounds (5 to 10 seconds), Turns (5 to 10 minutes) for Stealth (more on this below) and Shifts (5 to 10 hours) for longer term things like Recovery.
In a chapter entitled Combat and Panic it might be strange to find a large section on avoiding combat. But Stealth mode is such a vital trope of the films to replicate, whether it’s the haunted house horror of Alien, the Vietnam of Aliens or even the caper mode of Resurrection. In one turn, humans can move through two zones, or spend the whole turn in the space to do a thing, such as access a data terminal. The GMCs, human or alien, must obey the same rules but many aliens can move faster.
Passive enemies can be detected as soon as you move into a zone, or even further away if you have line of sight. Passive, is I feel the wrong word here. I was confused thinking it meant hidden, like the Alien in the shuttle at the end of the first film. But what it really means is unengaged, not hunting you down. Even such an unengaged enemy will see you as soon as you see them, unless you are sneaking (rolling mobility against their observation).
Active enemies are those that are hiding, or sneaking up on you. You can spot them with an observation roll if they are sneaking up on you. But if they are hiding, you won’t spot them unless you tracked them to a spot with a motion tracker, or accidentally look exactly in their hiding place. The motion tracker that was a staple of the movies works up to four zones, ignoring line of sight (though of course you can’t shoot the enemy until you actually do have line of sight – if they are small you might also need an observation roll).
Initiative is, like Forbidden Lands, based on the draw of a card numbered 1-10, and then playing in that order. I am sure there will be Talents about drawing a choice of cards in the full game. Two PCs bale to speak to each other can swap cards, and of course we know there is a close combat stunt about taking an opponent’s card. Not quite sure how that plays with fast moving aliens, who normally seem to draw two cards, and act on both. Scary!
Again like Forbidden Lands, you get one slow and one fast action, or two fast actions. There is a list of example slow and fast actions, but it’s pretty intuitive. Some actions can take place out of turn order, for example parrying an attack, but they still count against your two actions per round limit. Sneak attacks (testing mobility vs observation) give you one free action, fast or slow before initiative cards are drawn.
It’s worth rehearsing resolution. To hit you roll your close combat skill, one success (6) does whatever damage rating your weapon does (mitigated by armour perhaps) extra success can do more damage, or you can spend them to swap initiative, disarm your opponent, push them over, or grapple them.
They may choose to block you, and you can block their attacks too of course. You must declare your intention to block before they roll, for every success you roll, you can choose to parry each of their successes, disarm, or indeed counter attack, choosing to take whatever damage they were dealing out, so that you can sneak a knife in their gut.
There’s a new action (I think) exclusive to Alien. You can push your engaged opponent into short range (so that you or someone else can shoot them). Given how often the players in our UKGE games pushed each other, I must admit it’s a very useful rule to have.
Which brings us onto ranged combat. same mechanic as above, but a different skill of course and some interesting modifiers. Shooting at a target as small as a chestburster, for example, means -2 dice on your roll.
Autofire works differently to Coriolis. In Alien, declaring autofire adds two base dice and one point of stress (and the accompanying die) to your roll. Extra successes can be directed at additional targets (within short range of the original). Auto fire doesn’t empty your clip like it does in Coriolis, but any 1s rolled on a stress die indicate you have to reload, as well as making a panic roll. The idea being that unstressed, you can manage your ammunition, but in the heat of battle it’s easier to find yourself with an empty clip. Is it realistic? Not exactly. But it does emulate the spirit of the movies.
In another difference from Coriolis, you don’t get to spend stunts (extra successes) on critical injuries, you must break your opponent. And of course if you are broken you must roll your own critical injury. It’s easier to break opponents that in Coriolis as Health is based on strength alone, not strength plus quickness, as in Coriolis. But if you are broken, somebody with medical aid skill can help you recover, or after one turn, you recover one point automatically. Most of the other Y0E games rely on someone else being there to get you back on your feet, so I think this rule suggests that you might be alone more than in other games.
If you want to kill a broken human, you must first fail an empathy roll, and take a stress die (unless you have the Cold Blooded talent of course).
And so to stress dice.
You’ve been collecting these as you have played, one of two doesn’t matter so much, indeed they give you a slightly better chance of success. But now you have three or four, and the consequences of a panic roll are more serious.
When you roll a one on any of the stress dice, (and in some other situations, such as when you are attacked by a creature you have never seen before – we forgot that at UKGE, I just gave them an extra stress die), you must make a panic roll: 1d6 plus the number of stress dice you currently have, and consult a table. Results of 1-6 are “keeping it together” but seven or more and bad things happen. For example: on the seven you jerk nervously, and you and everyone around you takes an extra stress die; on eight you get the shakes, and on nine you drop something. On ten and above you the rolls controls your actions to some extent: you freeze, or you are forced to seek cover or you scream. The latter two cathartic responses actually let you lose one stress die, but again, everyone around you gains one.
On thirteen (only a risk if you have seven or more stress dice) you flee uncontrollably. And everyone else must make a panic roll too. I won’t spoil 14 and 15.
Panic lasts one round if specified, or one turn (5-10 minutes), or until you are broken. Someone else can calm you down with a successful Command roll.
A whole turn spent resting in a safe area let’s you lose a stress die, in a new rule (new since to the cinematic starter kit since we first saw it, you can also interact with your signature item in a significant way to reduce stress.
Towards the end of the chapter is a section dealing with other hazards, including conditions such as Starving, Dehydration, Exhaustion, and Freezing, plus: vacuum; falling; explosions; fire; disease; radiation; drowning; and suffocation. Space is Hell indeed. Then there is a section on synthetics and a little bit, for players I guess, on Xenomorphs. This is written in a way that gives very little away but explains that the GM is not cheating when the Xeno gets twice as many actions as everyone else.